Barrow Parke

Mark Barrow born 1982, Gainesville, FL
Sarah Parke born 1981, LaCrosse, WI

Mark Barrow & Sarah Parke's collaborative art practice focuses on the process of weaving and its relationship to visual systems.

Barrow Parke, Woman, Installation View, JDJ Tribeca, New York, NY

Barrow Parke, Woman, Installation View, JDJ Tribeca, New York, NY

Barrow Parke, Woman, Installation View, JDJ Tribeca, New York, NY

They are known for their intricate paintings on hand-woven and embroidered linen.

The painted surfaces interact with the color, texture and pattern woven into the fabric.

Barrow Parke
Woman VII, 2021
Acrylic and embroidery on hand-woven fabric
19.625 x 15.75 inches

Barrow Parke
Woman VI, 2021
Acrylic and embroidery on hand-woven fabric
21.625 x 15.75 in

Installation View, Hard/Cover
The Fabric Workshop and Museum,
Philadelphia, PA,

Barrow Parke,
Woman IV, 2020
Acrylic and embroidery on hand-loomed linen
15 3/4 x 19 3/4 inches

Barrow Parke,
Woman IV, 2020
Acrylic and embroidery on hand-loomed linen
15 ¾ × 19 ¾ inches

Barrow Parke, Woman IV, 2020 (detail)

Barrow Parke,
Woman V, 2020
Colored pencil and gouache on paper
10 × 8 inches

Barrow Parke,
Origin, 2019
Embroidery and Acrylic on Hand-Loomed Linen
19 ⅝ × 15 ¾ inches

Barrow Parke, Origin, 2019 (detail)

Barrow Parke, Origin, 2019 (detail)

Their work operates at the intersection of craft, technology and contemporary art.

Barrow Parke,
10.17-12.11, 2015
Acrylic on Hand-Loomed Fabric
19 × 15 inches

Barrow Parke, 10.17-12.11, 2015 (detail)

Barrow Parke,
0N10N, 2019
Acrylic on hand-loomed linen
19 ⅝ × 15 ¾ inches

The Reweave series of paintings are made from hand-dyed linen that Barrow paints areas of vibrant color. Parke then pulls apart the fabric thread by thread, and then weaves back together to form a new composition. The resulting painting is a loose, apparitional echo of the original composition, yet it takes on a form of its own as Parke reconstructs the fabric.

Barrow Parke,
Reweave 9, 2016
Hand dyed linen
20 × 16 inches

This painting's hand-woven fabric is made with red, green and blue threads—the color scale used in digital screens. The threads are then painted over with black, in a sense "eliminating" one of the three fabric colors. The optical result in doing so creates subtle shifts in color when viewed from afar.

Barrow Parke,
BRG4, 2014
Acrylic on Hand-Loomed Linen
26 × 20 inches

Swaths of color and pattern in the works appear in shapes reminiscent of finger swipes on an iPhone.

Barrow Parke,
4.24-6.30, 2017
Acrylic on Hand-Loomed Linen
34 × 30 inches

Barrow Parke, 4.24-6.30, 2017 (detail)

Barrow Parke,
Swipe 4, 2015
colored pencil on paper
31 × 21 ¼ inches

Recent works incorporate pattern in order to form images.

Barrow Parke,
5.23-11.24 (Woman), 2017
Acrylic on Hand-Loomed Linen
46 × 42 inches

Barrow Parke, 5.23-11.24 (Woman), 2017 (detail)

Their 2019 exhibition Future Homemakers of America marked a significant shift in the duo’s oeuvre with the introduction of images that emerge from patterns they have developed for wallpaper, textiles, and paintings. The patterns function as decorative motifs and they also represent the commonality between one idea and another.

Installation view, JDJ, Garrison, 2019

Installation view, JDJ, Garrison, 2019

The exhibition’s title, based on the career and technical student organization, is both a tongue-in-cheek reference to a bygone era and a nod to Barrow and Parke’s artistic and domestic collaboration.
In the titular painting, drawing and wallpaper, the artists have adapted a classic American schoolhouse quilt pattern from the 19th century to reference the silhouette of the gallery building.

Barrow Parke,
Future Homemakers of America, 2019
Colored Pencil and Acrylic on Paper
9 × 8 inches

A new series is inspired by ancient fertility figure statues, such as the Venus of Willendorf. Their bulbous shapes inform the fields of color and pattern of the paintings and drawings.

Barrow Parke,
Woman III, 2019
Acrylic and embroidery on hand-loomed linen
23 ¾ × 17 ¾ inches

Barrow Parke, Woman III, 2019 (detail)

Installation view, NADA Miami, 2019

Mark Barrow (b. 1982) and Sarah Parke (b.1981) live and work in New York City. Their work has been recently exhibited at JDJ | The Ice House, Garrison, NY; La Capella Cavassa, Saluzzo, Italy; Rose Art Museum at Brandeis University, Waltham, MA; White Columns, New York; Le 109, Nice, France; ZERO..., Milan; Galerie Almine Rech, Paris and Brussels; and Elizabeth Dee, New York.

Mark Barrow & Sarah Parke in the studio, 2019.

Barrow Parke

Mark Barrow (b. 1982, Gainesville, FL)
Sarah Parke (b.1981, LaCrosse, WI)
Live and work in New York City
Barrow Parke CV


Mark Barrow


M.F.A. in Painting, Yale School of Art, New Haven, CT


B.A. in Painting, Rhode Island School of Design, Providence, RI

Sarah Parke


B.A. in Textile Design, Rhode Island School of Design, Providence, RI

Solo Exhibitions


JDJ | Tribeca, New York, NY (forthcoming)


Future Homemakers of America, JDJ | The Ice House, Garrison, NY


Analemma, Premio Matteo Olivero, Curated by Stefano Raimondi, Capella Cavassa, Saluzzo,


Matter of Time, Elizabeth Dee and Almine Rech at Independent Régence, Brussels


wave, particle, string, Elizabeth Dee, New York


Mark Barrow and Sarah Parke, Elizabeth Dee, Independent Projects, New York


Mark Barrow and Sarah Parke, London Arts Club, London


RGB, Elizabeth Dee, New York

Synesthesia, ZERO, Milan


Mark Barrow, Elizabeth Dee, New York


White Room: Mark Barrow, White Columns, New York

Selected Group Exhibitions


Line by Line, Kent State University, Kent Ohio (forthcoming)


Dangerous Patterns, JDJ | The Ice House, Garrison, NY (forthcoming)

Allegheny College Art Galleries, Meadville, PA (forthcoming)

The Fabric Workshop & Museum, Philadelphia, PA


Painted Threads, Visual Arts Center of New Jersey, Summit, NJ


The Surface of the East Coast, Curated by Marie Maertens, Josée Bienvenu Gallery, New York


The Surface of the East Coast, Le 109, Nice, France

Stretch Release, Dürst Britt & Mayhew, The Hague, Netherlands


First Exhibition, Elizabeth Dee, NY


Pretty Raw: After and around Helen Frankenthaler, Rose Art Museum, Brandeis University

Dans un intérieur Meubles, œuvres murales & textiles d'artistes, Almine Rech, Brussels


DECORUM, Power Station of Art, Shanghai
Halftone: Through the Grid, Galerie Max Hetzler, Berlin
Dans un intérieur Meubles, œuvres murales & textiles d'artistes, Almine Rech, Paris
Imitatio Christie’s, ZERO…, Milan
Mingei Spirit, are you here? Pace Gallery, New York
Video Screening 25, ZERO…, Milan


The Time Machine, Cura Basement, Frutta, Roma
Fearful Symmetry, curated by Zoe Stillpass, Balice Hertling, NY
Threaded Stories, Stephen Friedman Gallery, London
Mingei Spirit, are you here? Pace Gallery, London
To Open Eyes: Art and Textiles from the Bauhaus to Today, Kunsthalle Bielefeld, Bielefeld, Germany
DECORUM, Musée d’art Moderne de la Ville de Paris, Paris
Mind is outer space, Casey Kaplan, New York
Group Show, Galerie Perrotin, Paris


Telephone Paintings, curated by Nicolas Trembley, Almine Rech Gallery, Basel 43
Modern Talking, Muzeul National de Arta Cluj-Napoca, Romania
Four Rooms, Center for Contemporary Art, Ujazdowski Castle, Poland


Prague Biennial, Prague, Czech Republic
Praxis, Elizabeth Dee, New York
Gallery Update #2, curated by Ryan Evans & Amie Scally, White Columns, New York
partoftheprocess4, ZERO, Milan


Mark Barrow, Anthony Pearson, Blinky Palermo, Lisa Cooley Gallery, New York


Creswell Crags, Lisa Cooley Gallery, New York
Un balance, curated by Katie Rashid, Jack Shainman Gallery, New York
Defining a Moment: 25 New York Artists, curated by Simon Watson and Craig Hensala, House of Campari, New York


Looking Back: The White Columns Annual, curated by Clarissa Dalrymple, White Columns, NY



Vu, Mimi Dao. “A Gallery That Feels Like a Friend’s Upstate Cabin”, T Magazine, July 12, 2019


Herriman, Kat. "Weaving Fiber into Winter Art Shows." Observer, February 2016.

Slenske, Michael. "A stitch in time", Wallpaper, October 2016.


Slenske, Michael. “Mix Masters”, Architectural Digest, October 2015.

Siegel, Katy. The Heroine Paint: After Frankenthaler. Gagosian/Rizzoli, September 2015.

“Mark Barrow & Sarah Parke.” Art in America, September 2015.


Bunyard, Jesc, “Mark Barrow and Sarah Parke”, Hunger TV, September 2014

Holmes, Pernilla. “Process-based art’s rise”, Financial Times, December 2014.

Martin, Hannah. “Works by Yves Klein, Mike Kelley, and Raymond Pettibon,” Architectural Digest, November 2014.

Schwendener, Martha. “Independent Projects Unveils New Art Fair Concept: A Show”, New York Times, November 2014.

Shiffman, Allyson. “All’s Not Fair at Independent Projects,” W Magazine, November 2014.

Steinhauer, Jillian. “An Alternative to the Art Fair Marathon”, Hyperallergic, November 2014.


Sheets, Hilarie. “Mark Barrow”. Elle Décor, June 2013.

Rossi, Catharine. “Objects in Conversation”, Disegno, October 2013.

Pancotto, Pier Paolo. “The Time Machine (The Survivors)”, ArtForum, December 2013.

Trembley, Nicolas. “L’Atelier – Mark Barrow and Sarah Parke”, Numero, September 2013

Smith, Roberta. “Mind is Outer Space”. The New York Time, July 2013.

Kalt, Marie. “Quand l’art rencontre l’artisanat”, AD, November 2013.

Barrow, Mark. “Re-Productions”, Lab, Cura, Winter 2013.

Higgs, Matthew. Barrow, Mark. Milan: Mousse, and New York: Elizabeth Dee, 2013.


Kennedy, Randy. “Interests Crisscross in Homespun Art.” New York Times, November 12, 2012.

“Mark Barrow”. ArtCat, December 2012.

“Mark Barrow Synaesthesia”, NERO, June 2012


Richter, Tilo. "Liste 16 in Basel." Frankfurter Allgemeine, June 2011.

Trezzi, Nicola. "Mark Barrow" Flash Art Magazine, October 2011.

Kontova, Helena. “Top 100 Artists” Flash Art Magazine, November-December 2011.


Johnson, Paddy. “The 10 Best Exhibitions of 2010, and the 2 Worst.” The L Magazine, December 22, 2010.

“Mark Barrow.” The New Yorker, November 1, 2010.

“Mark Barrow.” The Exhibitionist New York, September 2010.

Rosenberg, Karen. "Mark Barrow." New York Times, October 1, 2010.


“Mark Barrow, Anthony Pearson, Blinky Palermo at Lisa Cooley”. The Contemporary Art Daily, February 2009.

Coburn, Tyler. “Mark Barrow, Anthony Pearson and Blinkly Palermo.” Art Review, April 2009

Gartenfeld, Alex. “In the Blink of an Eye: Mark Barrow and Anthony Pearson.” Interview Magazine, February 2009.

Trezzi, Nicola. “Craft – From Commodities to Talismans: Modernity as a Remedy to the Aftermath.” Flash Art Magazine, July-September 2009.

Saccoccio, Jackie. “What state abstraction”. Bomblog, December 2009.


Smith, Roberta. “Begin Again Right Back Here.” The New York Times, October 2008.

Smith, Roberta. “Creswell Crags.” The New York Times, September 2008.


Rosenberg, Karen. “Art in Review.” The New York Times, December 7, 2007.

Public Collections