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Athena LaTocha

JDJ is thrilled to present our third solo exhibition with Athena LaTocha, and the first exhibition of her work at our location in Tribeca.

Athena LaTocha, JDJ Tribeca Installation View

LaTocha’s process begins with deep observation of and research into the land in which she is working, which informs her artistic approach on all levels.

Whereas LaTocha’s 2022 exhibition at JDJ the Ice House was inspired by the gallery’s location in the Hudson Valley, this exhibition, which features a suite of ten intimately-scaled works, takes the urban environment of New York City as inspiration.

Athena LaTocha, Untitled No. 2, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

Athena LaTocha, Untitled No. 3, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

“One of the difficult things about working in an urban environment is trying to figure out what’s going on underfoot,”  LaTocha explains in a recent interview in Frieze. “So much erasure has taken place in this area. It’s worked and overbuilt. It’s a complicated read – you don’t have access to the bedrock or even the original soil.

The question for me was how do I understand my connection to the original landscape, when it’s been so built up and torn down?”

Athena LaTocha, Untitled No. 4, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

Athena LaTocha, JDJ Tribeca Installation View

Conceptually and materially linked to the monumental works exhibited last year at MoMA PS1 and BRIC, Brooklyn, these new pieces use a combination of ink, debris from construction sites in the city, pulverized brick, reflective glass microbeads which are commonly mixed into traffic paint, and earth from Green-Wood Cemetery, one of the only places in New York City where one can find pure, untrampled earth that has not been excavated for building purposes, and where LaTocha’s monumental lead sculptural installation is currently on view through January 22, 2023. 

Athena LaTocha, Untitled No. 8, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

Athena LaTocha, In the Wake of, 2021, Installation View, BRIC Contemporary, Brooklyn, NY

Athena LaTocha, The Remains of Winter (Battle Hill, East), 2022, Installation View, Green-Wood Cemetery, Brooklyn, NY

LaTocha applies these materials thickly to resin-coated paper in many layers, and then scrapes them off, leaving traces of each to interact with one another.

Athena LaTocha, Untitled No. 10, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

The resulting works are torn, shredded, and perforated by LaTocha’s dynamic process, and are enclosed in raw-steel frames designed by the artist.

Athena LaTocha, Untitled No. 9, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

Athena LaTocha, JDJ Tribeca Installation View

Each work reads like a diminutive yet powerful sculpture, buckled by the intensity and energy with which they are created.

Athena LaTocha, JDJ Tribeca Installation View

Athena LaTocha, Untitled No. 7, 2022, Shellac ink, earth from the Green-Wood Cemetery, demolition sediment from a Brooklyn construction site, pulverized brick, glass micro beads from the NYC DOT on paper, custom raw steel artist frame, 18 1/2 x 27 x 2 in

Athena LaTocha (b. Anchorage, AK, lives and works in New York) has exhibited her work across the United States including at such prominent venues as the Crystal Bridges Museum of American Art, Bentonville, AK; IAIA Museum of Contemporary Native Arts, Santa Fe, NM; MoMA PS1, BRIC, Green-Wood Cemetery, CUE Art Foundation and Artists Space, all New York, NY; and the New Orleans Museum of Art, New Orleans, LA. Recent solo exhibitions include those at the Visual Art Center, Summit, NJ, JDJ the Ice House, Garrison, NY, the Plains Art Museum, Fargo, ND; and the MacRostie Art Center, Grand Rapids, MN. LaTocha is the recipient of the prestigious Eiteljorg Fellowship in 2021, and of numerous grants and fellowships, including the Joan Mitchell Foundation, Wave Hill, the Pocantico Center, and the Robert Rauschenberg Foundation. Her work was acquired in 2022 by the Dallas Museum of Art, The Hessel Museum of Art, The Forge Project, and the IAIA Museum of Contemporary Native Arts.

Press Release